https://haseebahmed.com www.haseebahmed.com Thu, 16 Oct 2025 00:39:14 +0000 https://haseebahmed.com en https://haseebahmed.com/Contact Wed, 18 Feb 2015 15:33:39 +0000 www.haseebahmed.com https://haseebahmed.com/Contact Phone: +32(0)465565240 WhatsApp: +32(0)465565240 (recommended)Instagram: haseeb_w_ahmedstudio@haseebahmed.com 16 Louis Bertrand Avenue 1030B Schaarbeek Belgium Gallery Representation: Harlan Levey Projectsharlan@hl-projects.com Rue Jean d'Ardenne 46 1050 Ixelles Belgium https://haseebahmed.com/CV Wed, 18 Feb 2015 15:33:42 +0000 www.haseebahmed.com https://haseebahmed.com/CV Haseeb Ahmed (b. 1985) is an American artist who lives and works in Brussels, Belgium. He produces objects, installations, and films. His work is often collaborative and draws from the hard sciences, blending art and aeronautics, myth and technology, to create new narratives. Over the last 10 years Ahmed has structured his research-based artistic practice around fluid dynamics of wind and water. His focus is on what we can learn about our changing climates through the movements of the wind and the waters by what they carry, both physically and in terms of cultural associations throughout history. His work was the subject of a solo exhibition at the Museum of Contemporary Art (Antwerp, BE) and has been exhibited internationally at the Göteborg Biennial (Göteborg, SE), Museum Bärengasse, (Zurich, CH), The Museum of Contemporary Art (Chicago, USA), De Appel (Amsterdam, NL), and the Frestas Triennial (Frestas, BR), amongst others. Formal Education 2014-2018 PhD in practice-based art University of Antwerp/ Sint Lucas Antwerpen/ Zurich University of the Arts with Size Matters project under supervision of Prof. Florian Dombois, Werner Van dermeersch, Prof. Dr. Staf Van Tendeloo, and Prof. Oliver Chazot, Belgium and Switzerland 2010-2012 &nbsp; &nbsp; &nbsp; &nbsp; Jan van Eyck AcademieResearch fellowship in Fine Arts, Maastricht, the Netherlands 2008-2010 Massachusetts Institute of Technology Masters of Science in Visual Studies- MFA equivalent, at the Program in Art Culture and Technology with Joan Jonas, Gedimas Urbonas, Krzysztof Wodiczko, Cambridge, MA, USA Selected Exhibitions 2024 Gwangju Biennial commissioned artwork, Gwangju, South Korea, curated by Barbara Lagie, Artistic director Nicholas Bourriaud Shaping Atmospheres commissioned artwork, University of Toronto, curated by Ala Roushan and Charles Stankievech Any Way the Wind Blows “Library of the Winds” in group exhibition at C Mine, Genk, Belgium curated by Laurens MarienBorder Budacommissioned permenent artwork&nbsp;"Monument to the Monstrous Vortex Incident at Broekplein on April 6, 2024” in Vilvoorde, Belgium, curated by Koi Persyn and Anna Laganovska 2023 18 Winds solo exhibition at Harlan Levey Projects, Brussels, Belgium.&nbsp; 2022&nbsp; &nbsp; FRONT Triennial: Oh Gods of Dust and Rainbowscommisioned artwork “Vanquish the Void!” exhibited at SPACES, curated by Prem Krishnamurti assisted by Murtaza Vali, Cleveland, USA New Technological Art Awardexhibition of short-listed works at Zebrastraat, Ghent, Belgium 2021 &nbsp; &nbsp; Interior Weathers&nbsp; solo exhibition at 1708 Gallery including collaborative sound by Heavy Color and curated by Park Myers, Richmond, VA, USA CURRENT Festival commissioned artwork “Wind Works” for a group exhibition curated by Laura Bernhardt, Stuttgart, Germany To the Edge of Time commissioned artwork for a group exhibition in the context of Bang! Festival, Leuven, Belgium Frestas Trienal de Artes: The River is a Serpent commissioned artwork for the Frestas Trienal curated by Thiago de Paulo de Souza Frestas, Brazil 2020&nbsp; &nbsp; Nature of Robotics commissioned artwork for group exhibition at EPFL Pavilions, curated by Guilia Bini, Lausanne, Switzerland MONOCULTURE: a recent History commissioned artwork for group exhibition at Museum of Contemporary Art, curated by Nav Haq, Antwerp, Belgium 2019 Ruach not Rauch solo exhibition at Harlan Levey Projects, Brussels, Belgium Ruach not Rauch site-specific installation commissioned for Werkleitz Festival: Model and Ruin, Dessau, Germany Wind Avatar at Global Digital Art Prize Exhibition installation for short-list of Global Digital Art Prize, ADM Gallery, Singapore 2018 Wind Egg&nbsp;solo exhibitionat Museum of Contemporary Art (MuHKA), curated by Nav Haq, Antwerp, Belgium In Our Present Condition… Group exhibition in MIT Architecture Dean’s Gallery curated by Laura Knott, Cambridge, MA, USA 2017 Gothenburg International Biennial of Contemporary Art (GIBCA)&nbsp; Two commissioned sculptures. Has the World Already Been Made? series, Curated by Nav Haq, Gothenburg, Sweden Loop Group exhibition with Marina Pinsky, Anna Reading and Alex Bunn at Lubomirov/Angus-Hughes, London, United Kingdom 2016 Transactions Group exhibition at University of Zurich, in collaboration with Elena Lange curate by Michael Hiltbrunner, parallel program for Manifesta 11, Zurich, Switzerland Wind Egg Installation and public performance at von Karman Institute, Rhode-Saint-Genese, Belgium Wird solo exhibition at Harlan Levey Projects, Brussels, Belgium Do You Speak Synergy? Group show with Fish Bone Chapel, Harlan Levey Projects, Brussels, Belgium 2015 Alanica International Art Symposium Group show, curated by Nav Haq, commissioned by North Ossetian Ministry of Culture at North Ossetian National Library of Science, Vladikavkaz, Russia 2014 A is for Albatross solo exhibitionat Museum Bärengasse, Zurich, Switzerland 2013 Fish Bone Chapel Designers and Artists for Genomics Award Commission, Naturalis Museum, Leiden, the Netherlands Lahore Literary Festival Alhamra Arts Festival, with collective Chalo Chalo Lahore Chalo, Lahore, Pakistan 2012 Manifesta: the Fox’s Legacy Group exhibition Manifesta parrallel program Genk, BE and Maastricht, the Netherlands Three Artists Walk Into a Bar Group exhibition De Appel Art Center, Amsterdam,&nbsp; the Netherlands 2011 Has the World Already Been Made? x1 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Symposium and Exhibition organized with Daniel G. Baird, Jan van Eyck, Maastricht, the Netherlands 2008Mapping Self Group Exhibition, Museum of Contemporary Art, Chicago, USA 2007The Common Sense solo exhibition Around the Coyote Center for Art, Chicago, USA&nbsp; Teaching Experience in the Arts 2020-Present&nbsp; &nbsp;&nbsp; Sint Joost Academy&nbsp; of Fine Arts, Professor in art and technology, den Bosch, the Netherlands 2018-2019 The Royal Academy of Fine Art Visiting professor in fine arts, the Hague, the Netherlands 2015-2019 Saint Lucas Antwerp University College of Art Masterclass lecturer Antwerp, Belgium 2017-2019Gluon Academy for Art and Science&nbsp;co-teaching Science Technology Engineering Art and Math (STEAM) Project course at Erasmus Hogeschool, Brussels, Belgium&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; 2016-2019 Zurich University of the Arts&nbsp; Designed a taught four courses for the Masters in Transdisciplinarity Department, Switerland 2016-2017 Scandinavian School of Brussels Secondary school and International Bachelors curriculum in Visual Arts, Waterloo, Belgium 2016 Thesis Writing Lab: Making Writing Royal Academy of Fine Arts in The Hague, the Netherlands&nbsp; 2013 Replicators’ Master Class&nbsp;Academy of Visual Arts, Maastricht in collaboration with the FabLab Zuid-Limburg, the Netherlands 2012 Master Class: How to Cast Anachronisms. Workshop at Hazara University, Mansehra, Pakistan Awards, Grants, and Residencies 2019-2020 Mindspaces Laureate Inaugural Laureate of the Mindspaces initiative by the European Commissions Science Technology and Arts (STARTS) initiative working with Robert MacNeel and Associates and Zaha Hadid Architects. La Becque Foundation Inaugural Artist in Resident at La Becque Foundation in La Tour-de-Peilz, Switzerland Center for Contemporary Art (BAK) Research Fellow at BAK for the project “How is the Weather Underground?” Utrecht, the Netherlands 2017-2019 Vertigo Residency&nbsp;Residency offered by EU Commission’s Science Technology and Arts initiative for the “Wind Avatar” with Beatrice de Gelder and Brain and Emotion Laboratory at the University of Maastricht, the Netherlands Schloss Post Web Residency&nbsp;Residency for internet-based art Curated by Apparatus 22 hosted by Schloss Solitude, Stuttgart, Germany Discovery Prize at Art Brussels Work featured in winning booth of Discovery Section at Art Brussels, Brussels, Belgium 2013 Designers and Artists for Genomics Award Winner of award to produce and the Fish Bone Chapel project in collaboration with the Netherlands Toxico-Genomics Center and Dr. Jos Klienjans in Maastricht, NL and shown at Naturalis Museum for Natural History in Leiden, the Netherlands&nbsp; Prix de Rome&nbsp;Long-listed for the Prix de Rome given by the Mondrian Fonds, Culture Ministry, the Netherlands Lectures and Panel Discussions&nbsp; 2020 Considering Monocultures, Symposium convened by M HKA (Museum of Contemporary Art Antwerp), Van Abbemuseum (Eindhoven) and deBuren (the Dutch-Flemish house for culture and debate), Brussels, Belgium 2019 Re:Urgent for Climate Emergency Symposium Van Eyck, Maastricht, the Netherlands 2018 Why Work: Haseeb Ahmed Artist’s Talk at Gluon Foundation for Why Work series by Pieter Vermuelen, Brussels, Belgium Hash Awards Artist’s Talk at Zentrum fur Medien Kunst (ZK), Karlsruhe, Germany 2017 Artists’ Talks Vienna University of Applied Arts, AU, John Moore’s University, UK, University of Washington, St. Louis, USA 2016 Money&nbsp;Panel Discussion for Transactions, Manifesta Parrallel Program at University of Zurich, Switzerland That Art Exhibits Conference&nbsp;Presentation at academic conference for practice-based art PhD’s, LUCA School of Fine Arts Brussels, Belgium Wind Eggs&nbsp;Performance, lecture, and live wind tunnel experiment at Printemps de Septembre, Toulouse, France 2015 A is for Albatross Artist’s talk at MIT Program in Art Culture and Technology, Cambridge, MA, USA Wind Personification&nbsp;Scientific Poster presentation at “Drawings Conclusions: Art in Science” Conference, EMPA, Dübendorf, Switzerland 2014 A is for Albatross Artist’s talk at Museum Bärengasse, Zurich, Switzerland Remote Sensor: Episode 4 Artist’s talk at Von Karman Institute , St. Genese-Rhode, Belgium Remote Sensor: Episode 3&nbsp;De la Matiere au code, du bit a l’Atome, ISELP, Brussels, Belgium Remote Sensor: Episode 2&nbsp;Seminarts presents State of the Art, HISK, Ghent, Belgium 2013 Remote Sensor: Episode 1&nbsp;LaborArtorium: Research in Art and Science Presentation, Ludwig Maximillians University of Munich, Germany Remote Sensor&nbsp;ICT &amp; Art Connect presentation at European Parliamentary session, Brussels, Belgium Fish Bone Chapel and Toxico-Prometheus Project presentation to Dutch DIY Bio Group at Waag Society, Amsterdam, the Netherlands Performances 2019 Wind Tunnel Runway in I Want to Be Adored Site-Specific installation for Basis for Actuele Kunste (BAK), Utrecht, the Netherlands 2018 The Wind Egg A site-specific performance at the Museum of Contemporary Art, Antwerp, Belgium 2016 Wird A site-specific performance at Harlan Levey Projects, Belgium marking part II in an ongoing trilogy 2016 The Wind Egg Site-specific performance at the von Karman Institute, Sint-Genesius-Rode, Belgium Wind Works Performance Lecture at Printemps du Septembre, Toulouse, France A Dome of my Own Performance laying out the plans for a Muqarnas Dome. Sitterwerk, St. Gallen, Switzerland 2012 Limburg Beacons Performance using Morse Code to communicate with buildings. Manifesta, Maastricht, the Netherlands Professional and Collaborative Experience in Art and Design 2011-2018 Has the World Already Been Made? Has the World Already Been Made? Is an artistic research project initiated by Haseeb Ahmed and Daniel G. Baird. Its focus is the role of replication and global stylistic redundancy in artistic production historically and at present. The project consists of a library of molds and digital scans taken from architectural ornament across the world. This library is used as a vocabulary to construct installations as new forms from the old. The project resulted in 11 installations and a series of publications and photographic documentation including the Gothenburg International Biennial of Contemporary Art curated by Nav Haq. 2013-2016 Size Matters Research Group This three-year project investigates the relationship of models and model making in a variety of disciplines and art and art making. Emphasis is on wind tunnels and aeronautics. Hosted at the Zurich University of the Arts and led by Florian Dombois. It is undertaken with a PhD in art together with the University of Antwerp, and von Karman Institute for Fluid Dynamics, Rhode-Saint-Genese, Belgium 2015-2016 (no)action(no)space This 1 year long research project brings a diverse group of art and cultural practitioners together to consider art institutions artistic production at Schloss Solitude, Stuttgart, DE 2 2006-present Platypus Affiliated Society Founding member of Platypus an educational project that hosts symposia and publishes a monthly journal, The Platypus Review. The group is a platform for critically reassessing the legacy of 20th century radical Left politics, Chicago, USA and worldwide. 2009-2010 MIT Architecture Fabrication Shops, Supervisor Advising Art and Architecture Department students on technical support for projects. Cambridge, MA, USA 2009 IFAU und Jesko Fezer Architecture internship in Berlin, Germany specializing in user based design of galleries and museums. I worked on the re-design of Artists’ Space in New York City in particular, Berlin, USA 2008 Office for Counter Cultural Affairs Architecture internship in Chicago, IL, directed by Prof. Carl Ray Miller and specializing in digitally. fabricated furniture and structural tiling systems, Chicago, IL, USA 2005 Ecology in the City Think Tank at DePaul University As a member of this think tank, I researched the concept of “urban wilderness”. I specialized in sustainable design in an urban context. Chicago, IL, USA Reviews Ruby Reding, “Haseeb Ahmed’s The Wind Egg: The beautiful and bizarre intersections of art and science” The Word Magazine. http://thewordmagazine.com/art/exhibition-reviews/haseeb-ahmedsthe-wind-egg-the-beautiful-and-bizarre-intersections-of-art-and-science/&nbsp; Hettie Judah, “Marcel Broodthaers Casts a Long Shadow on Brussels Gallery Weekend: Brussels is alive with feathery art,” Artnet News, https://news.artnet.com/exhibitions/brussels-galleryweekend-2016-641519, September 9, 2015&nbsp; Melane Huchet, “Haseeb Ahmed chez Harlan Levey Projects,” H Art Magazine, October, 2016 Sabrina DeTurk, “Distant Images, Local Positions,” Afterimage Vol. 41, No. 5. Afterimage The Journal of Media Arts and Cultural Criticism. Afterimage, n.d. Web. 09 Nov. 2014. Sandana,Lakshmi, “Built to Scale”, Wired Magazine February 2014 -“The Fish Bone Chapel”, http://we-make-money-not-art.com/archives/2013/05/the-fish-bone-chapel. php - Interview with Regine Debatty, 23 May, 2013 “Neue Moscheen im Bild der Stadt”, http://www.detail.de/architektur/news/neue-moscheen-im-bildder-stadt-020556.html , 2 November, 2012 Contributed Writings Haseeb Ahmed, Artists Picks, Spike Art Magazine, October, 2019 Haseeb Ahmed and Pieter Vermuelen, Turbulent Tijden (Turbulent Times), H ART magazine, December 2018, Antwerp, Belgium Haseeb Ahmed, Wind Tunnel World: Where the Wind Blows Straight, in Too Big to Scale—On Numbers, Time, and Energy, Scheidegger and Speiss, Zurich, Switzerland, 2017 Haseeb Ahmed, We Aren’t the Same and This is Only Art, The Wind Tunnel Model: Transdisciplinary Encounters, Schiedegger and Spiess, Zurich, Switzerland, 2017 Haseeb Ahmed, Fish Bone Chapel, Allegory of the Cave Painting Reader, Extra City and Mousse Publishers, Antwerp, Belgium, 2015 Haseeb Ahmed and Dorien Schelfhout “Artist Haseeb Ahmed’s Tunnel Tricks,” The Word Magazine, http:// www.thewordmagazine.com/art/artist-haseeb-ahmeds-tunnel-tricks/, September 27, 2016 Haseeb Ahmed and Daniel Baird, interviewed by Daniel Smith for Paper-thin.org Haseeb Ahmed and Bridgette Mongeon "Art and Technology Podcasts: A fire-side chat where 5 innovation, creativity, technology, and science meet”, http://artandtechnology.libsyn.com/ Haseeb Ahmed, “Descending through Densities” Allegory of the Cave Painting Reader, 2014, Antwerp, Belgium Haseeb Ahmed, “On the Relationship of Form and Identity in Midwestern Islamic Architecture” New Literary Observer, 2014, Moscow, Russia&nbsp; Haseeb Ahmed “Lahore Letters” Indus: A Journal of Art, 2014, Culture &amp; Design, Karachi, Pakistan Haseeb Ahmed, “News from the Netherlands”, FUSE Magazine, October 2011, Toronto, Canda Haseeb Ahmed, “Crisis in the Eurozone and the Left: Responses to the Global Economic Downturn”, Platypus Review #48, July 3, 2012, Chicago, USA Haseeb Ahmed, “Interview with Slavoj Žižek: The Occupy Movement, a renascent Left, and Marxism Today”, Platypus Review #42, 1 December, 2011, Chicago, USA Haseeb Ahmed, “Art and Research at MIT” and “Research on the Edge”, Self-Published/ACT-MIT, March 2011, Cambridge, USA https://haseebahmed.com/News-2 Sat, 07 Dec 2019 01:58:04 +0000 www.haseebahmed.com https://haseebahmed.com/News-2 HASEEB AHMED News:&nbsp; June 7- September 9,&nbsp; 2025&nbsp; "When the Wind Comes, the Walls Go" commissioned for Tropez Summer program, Berlin, GermanyOctober 2- December 21, 2025 University of Toronto commisions the video&nbsp;“Sa(a)ns” for the exhibition “Shaping Atmospheres” curated by Charles Stankievech and Ala Roushan, Toronto, CanadaSeptember 12- December 14, 2024&nbsp; “Anemophilous: Lovers of the Wind” scroll in the group show “A Botanical Conversation“ at Harlan Levey Projects, Brussels, BelgiumSeptember 5- December 1, 2024 "Stock Weather III” commissioned by Gwangju Biennial,&nbsp;curated by Nicolas Bourriaud, Gwangju, South Korea June 26, 2024 “Fountain of Eternal Youth” published in the book “Soil Matters: Intersezioni tra arte e scienza” February 2024- December 2026&nbsp; Pantha Rhei on the Rhine Funded by Pro Helvetia Synergies Grant&nbsp; June 22- September 19, 2024&nbsp; “Library of the Winds” in group show Any Way the Wind Blows at CMine in Genk, Belgium May 24- June 19 2024&nbsp; “Fountain of the Amazons” in group show Medical Studies of a Potential Dream at Espace Saint Remi presented by Cumulus Bordeaux, France&nbsp; April 26, 2024 - Permenant&nbsp;"Monument to the Monstrous Vortex Incident at Broekplein on April 6, 2024” in &nbsp;Border Buda&nbsp; Vilvoorde, Belgium May 3 - May 13, 2023 “Library of the Winds” presented at Festival And&amp;, at Kadoc, Leuven Belgium&nbsp; January 14 - March 25, 2023&nbsp; “18 Winds” solo show at Harlan Levey Projects 1080, Brussels Belgium October 27 - October 30, 2022&nbsp; “The Library of the Winds” presented at Kikk Festival, Namur, Belgium October 20 - December 4, 2022 Presenting&nbsp; a new body of work on pharmaceutical pollution and water in the exhibtion&nbsp;Faces of Water at Bozar Museum, Brussels, Belgium as the outcome of his STARTS4Water Residency with Gluon and Luca School of Art September 30 - October 10, 2022 “Stock Weather” presented at the Digital Art Festival in the Digital Art Center, Taipei, Taiwan September 8 -11, 2022 “Stock Weather II” Presented at Brussels Gallery Weekend’s Sculpture Factory, L’Impremerie, Brussels, Belgium July 16 - October 1, 2022&nbsp; A new commision presented at the Front Triennial of Art, SPACES Cleveland, Ohio, USA February - September, 2022 Haseeb Ahmed named&nbsp;STARTS4Water Laureate, Gluon and LUCA School of Art, Brussels, Belgium February 5 - March 13, 2022 New Technological Art Award, exhibition of short-listed works, Zebrastraat, Ghent, Belgium October 22, 2021 - January 16, 2021 To the Edge of Time, as part of Bang! Big Bang City Festival, commisions new installation Leuven, BESeptember 16 - November 7, 2021Foto Festival 11, Group Show, Prague, CZ September 3 October 16, 2021Interior Weathers, solo-show, 1708 Gallery, Richmond, Virginia, USA August 21,2021-January 30, 2022The River is a Serpent, Frestas Trienal de Artes, commissions site-specific installation Sorocaba, BR September 9-19, 2021 Current Festival commissions Haseeb Ahmed for new outdoor artwork, Stuttgart, DE June 10, 2021 Lecture for Taming the Horror Vacui by Piero Bisello, at RIB organized by Haseeb Ahmed, Rotterdam, NL May 8-June 26 , 2021 Emergent BXL, group show with Harlan Levey Projects, Veurne, BEApril 21, 2021 Lecture for Taming the Horror Vacui by Saadia Mirza, at RIB organized by Haseeb Ahmed, Rotterdam, NLMarch 23, 2021 Lecture for Taming the Horror Vacui by Haseeb Ahmed at RIB, Rotterdam, NL February 15, 2021Haseeb Ahmed gives Lecture for School of Visual Arts Practice Arts Series, New York City, US January 28, 2021 Lecture for Taming the Horror Vacui by artist James Beckett, at RIB organized by Haseeb Ahmed, Rotterdam, NL November 5 - April 25, 2021 Commissioned work for Nature of Robotics at&nbsp;EPFL (Ecole Polytechnique Fédérale de Lausanne), Lausanne, CH group exhibition curated by Giulia Bini October 4 - November 11, 2020404: Page not Found, Kunstenhuis,&nbsp; group exhibition curated by Frank Merkx, Harelbeke, BE&nbsp; September 24 - April 25, 2021 Monoculture, MuhKA, commissioned work in group exhibition, curated by Nav Haq, Antwerp, BE September 16 - 17, 2020 Lecture and Workshop for “Taming the Horror Vacui,&nbsp;Olivier Chazot: Session #4: Time for the Wind, RIB Rotterdam, Rotterdam, NL September 12, 2020 Artist Talk&nbsp; for Ars Electronica and Science Gallery Venice, IT May 25, 2020 Release of issue #2&nbsp; “Taming the Horror Vacui: Modeling Nothingness” for Haseeb Ahmed’s long-term project at Rib in Rotterdam, edited by Piero Bisello April 16, 2020 Interview with Ive Stevenheydens published in Metropolis Magazine March 31, 2020Release of issue #1&nbsp; of “Taming the Horror Vacui: Inhaling the Storm” for Haseeb Ahmed’s long-term project at Rib in Rotterdam, edited by Piero Bisello. &nbsp; March 23, 2020&nbsp; Haseeb Ahmed wins Earth Water Sky residency at Science Gallery Venice for 2020-21 funded by Fondation Didier et Martine Primat February 28, 2020 Lecture: Constituting the Ummah Considering Monocultures Conference&nbsp;at deBuren Leopoldstraat 6, 1000 Brussel Belgium February 10-11, 2020 Taming the Horror Vacui Kick-off lecture and workshop with Michèle Matyn at Rib Rotterdam December 17-23, 2019 Wind Works on Lake Geneva at La Becque Foundation (CH)November 9-Jan. 5, 2019 Wind Avatar at the Theatre de Liege (BE) for Impact FestivalOctober 11-Nov. 30, 2019 Wind Avatar at Nanyang Technological University Gallery (SG) for Global Digital Art Prize (GDAP) Shortlist https://haseebahmed.com/Publications Mon, 09 Dec 2019 03:49:23 +0000 www.haseebahmed.com https://haseebahmed.com/Publications Selected Publications with either contributed writings or editorial work: https://haseebahmed.com/Installations Sat, 07 Dec 2019 15:53:25 +0000 www.haseebahmed.com https://haseebahmed.com/Installations Selected Exhibitions and Installations: https://haseebahmed.com/Artworks-1 Sat, 07 Dec 2019 20:13:26 +0000 www.haseebahmed.com https://haseebahmed.com/Artworks-1 Selected ArtworksIncluding drawings, sculptures, and photographs, videos, and site-specific installations.&nbsp; https://haseebahmed.com/Sprouter-Test-Bed Thu, 16 Oct 2025 00:39:14 +0000 www.haseebahmed.com https://haseebahmed.com/Sprouter-Test-Bed Sprouter — Growing Futures Through Art, Science, and Technology: The Sprouter is a living prototype developed by Studio Haseeb Ahmed as part of the Hungry EcoCities program, exploring how art, design, and biotechnology can transform our relationship with food. Combining a network of environmental sensors, a stroboscopic watering system, and an automated timelapse machine, the Sprouter visualizes the invisible process of growth—turning data into light, motion, and narrative. Housed within a specially constructed black box, the system cultivates sprouts while generating real-time video feeds and data visualizations that reveal how environmental conditions shape life. The project extends beyond technology into culinary and cultural practice, featuring collaborations with chefs, scientists, and designers to make sprouts a familiar and celebrated food. Through exhibitions, demonstrations, and public discussions, the Sprouter reimagines sustainable cultivation as an aesthetic and educational experience—bridging disciplines to inspire new ways of growing, sensing, and understanding our shared ecological future.CreditsDeveloped by Studio Haseeb Ahmed and Sprout DynamicsCommissioned through Hungry EcoCities, an initiative of IN4Art under the STARTS (Science + Technology + Arts) program of the European Commission.Created in collaboration with Sprout Dynamics, with conceptual and technical support from Carlo Ratti Associati.Culinary collaboration by Chef Brian Kaderavek.Documentation by Livia Cuveillier.Event co-led by Iryna Gavrylova and Haseeb Ahmed.With gratitude to the STARTS and IN4Art teams, participating researchers, designers, and local communities for their contributions to the public showcase and ongoing development of the project. <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/190dc4d6f4532f388a28be80fa65c4c0c0fd7d09756e873667f72daff568a9e0/IMG_1456.jpeg" data-mid="239427895" border="0" src="https://freight.cargo.site/w/1000/i/190dc4d6f4532f388a28be80fa65c4c0c0fd7d09756e873667f72daff568a9e0/IMG_1456.jpeg" /> https://haseebahmed.com/Vanquish-the-Void Sun, 12 Jan 2025 15:49:57 +0000 www.haseebahmed.com https://haseebahmed.com/Vanquish-the-Void Vanquish the Void! Site-specific Installation for SPACES Front International Triennial II, Cleveland, Ohio 2022 Materials: Weather Station, Musical Score by Heavy Color (Ben Cohen and Sam Woldenberg), Electronics, Custom Software, Wood, Plastics, Urethane Foam, and Fabric. Six Channel Audio : Bass Clarinet, Soprano Saxophone, Tenor Saxophone, Harmonium, Voice, Percussion Music and Sound by Heavy Color. Special thanks (for assistance) to Heavy Color (Ben Cohen and Sam Woldenberg), Pieter Heremans, Atelier Vilvoorde, Harlan Levey Projects, SPACES team, Sears Think[box] at Case Western Reserve University,&nbsp;Jeremy Paul, Patrick Booth,&nbsp;and Leen Scholiers, Artistic Director Prem Krishnamurthy and curator Murtaza Vali. Comissioned through SPACES International Residency Program photos: Field Studio Description: The installation “Vanquish the Void!” transforms the winds of Lake Erie into a staged weather system in the gallery of SPACES. Ahmed creates automated aeoliphones to play back the wind recorded through a dedicated weather station in a dramatized form. Aeoliphones have been used since the 17th century to create gentle breezes and chaotic storms for opera, theater, and cinema. Working with composers Heavy Color (Ben Cohen and Sam Woldenberg) and the multi-instrumentalist Patrick Booth, these winds are integrated into an eight part score for a film created in realtime in the exhibition space. The score incorporates collected accounts of the weather in Cleveland by its residents. The visuals for this film are made with practical effects. A turntable is suspended from the ceiling of the gallery rotates through eight different scales of the city which the winds effect. The score and eight scenes reflect the movements of a storm from a gentle breeze, its impending arrival, cataclysmic arrival, and aftermath. The model itself takes the place of the “eye of the storm” around which a visual vortex forms. The installation is oriented towards downtown to address the city as its audience.Audio Note: Drawing inspiration from performed theatre and foley, Heavy Color worked In collaboration with multi-instrumentalist Patrick Booth and artist Haseeb Ahmed to create and recreate the sound of wind through the various stages of a storm using orchestral instruments. Oral accounts of storms by Dorothy Williams, Matt Foss, Leslie Woldenberg, Lee Woldenberg, Hernan Vasquez, Akili Jackson, Yusuf Lateef, Stacy Jurich, Leen Scholiers, and Haseeb Ahmed. <img width="3000" height="2143" width_o="3000" height_o="2143" data-src="https://freight.cargo.site/t/original/i/5756b485f4c18d1bec0b2b90a295daac8ed3e5ec083c833d79ccd16bf60d180f/FieldStudioPhotography_Front2022_SPACES_Ahmed_01.jpg" data-mid="224597809" border="0" src="https://freight.cargo.site/w/1000/i/5756b485f4c18d1bec0b2b90a295daac8ed3e5ec083c833d79ccd16bf60d180f/FieldStudioPhotography_Front2022_SPACES_Ahmed_01.jpg" /> <img width="2100" height="3000" width_o="2100" height_o="3000" data-src="https://freight.cargo.site/t/original/i/507e72ae61a85fa90babf4b0447cb39e1ed0323a9445200efa81abe042f3513c/FieldStudioPhotography_Front2022_SPACES_Ahmed_02.jpg" data-mid="224597810" border="0" src="https://freight.cargo.site/w/1000/i/507e72ae61a85fa90babf4b0447cb39e1ed0323a9445200efa81abe042f3513c/FieldStudioPhotography_Front2022_SPACES_Ahmed_02.jpg" /> <img width="2250" height="3000" width_o="2250" height_o="3000" data-src="https://freight.cargo.site/t/original/i/c0c19de413c91433fc800de92d6e41e73a826f49a3c60fcbf957903748c87d73/FieldStudioPhotography_Front2022_SPACES_Ahmed_03.jpg" data-mid="224597811" border="0" src="https://freight.cargo.site/w/1000/i/c0c19de413c91433fc800de92d6e41e73a826f49a3c60fcbf957903748c87d73/FieldStudioPhotography_Front2022_SPACES_Ahmed_03.jpg" /> <img width="2100" height="3000" width_o="2100" height_o="3000" data-src="https://freight.cargo.site/t/original/i/3e32652816431427db30ad3c73e914653a3efd2695728778cbb467c3b2d395c5/FieldStudioPhotography_Front2022_SPACES_Ahmed_04.jpg" data-mid="224597812" border="0" src="https://freight.cargo.site/w/1000/i/3e32652816431427db30ad3c73e914653a3efd2695728778cbb467c3b2d395c5/FieldStudioPhotography_Front2022_SPACES_Ahmed_04.jpg" /> <img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/8a21d30f91d7e5c3ddba68c5c3c62890ff954b853f636ba95c0fedef6243a9b6/FieldStudioPhotography_Front2022_SPACES_Ahmed_05.jpg" data-mid="224597813" border="0" src="https://freight.cargo.site/w/1000/i/8a21d30f91d7e5c3ddba68c5c3c62890ff954b853f636ba95c0fedef6243a9b6/FieldStudioPhotography_Front2022_SPACES_Ahmed_05.jpg" /> https://haseebahmed.com/Sand-Reckoner Thu, 31 Oct 2024 17:07:05 +0000 www.haseebahmed.com https://haseebahmed.com/Sand-Reckoner Sand ReckonerFilm 1 hour 38 minutesby Haseeb Ahmed&nbsp; Synopsis:&nbsp; The film “Sand Reckoner” follows the scirocco wind from Venice, where it causes the acqua alta flooding to its origins in in the primordial dried lake beds of the Egyptian Sahara. We cannot see the wind only the way it shapes ecologies, cultures, and architectures which intertwine Egypt and Italy for millennia. As we move with the Scirocco we encounter Goethe’s palm at the Orto Botanico in Padua, the wind rose of St. Peter’s Basilica in the Vatican, the harbor of Alexandria, the Pyramids of Giza, the ancient whales of the Fayyum Oasis, and the strange formations of the White Desert. The search for the scirocco wind inevitably lead to the importance origins for modernity. See Credits below Selected Stills:<img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/af09a00832ff2ed54a27b275e3198dbe20ce7fb6e8830e640fe637101a41c3cf/Ahmed_Haseeb_SandReckoner_Still-08.jpg" data-mid="220727191" border="0" src="https://freight.cargo.site/w/1000/i/af09a00832ff2ed54a27b275e3198dbe20ce7fb6e8830e640fe637101a41c3cf/Ahmed_Haseeb_SandReckoner_Still-08.jpg" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/4a92165ff46e6baa6a3fa4bbb7cb5ca3f49413d4f9df5e3c2178906c22768b79/Ahmed_Haseeb_SandReckoner_Still-00.jpg" data-mid="220727155" border="0" src="https://freight.cargo.site/w/1000/i/4a92165ff46e6baa6a3fa4bbb7cb5ca3f49413d4f9df5e3c2178906c22768b79/Ahmed_Haseeb_SandReckoner_Still-00.jpg" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/8573898719f92a2b67b0ed3983bcbcfc6a8e886e84b53e943990d964372b67b0/Ahmed_Haseeb_SandReckoner_Still-04.jpg" data-mid="220727174" border="0" src="https://freight.cargo.site/w/1000/i/8573898719f92a2b67b0ed3983bcbcfc6a8e886e84b53e943990d964372b67b0/Ahmed_Haseeb_SandReckoner_Still-04.jpg" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/dfcca34f783fe26303592a41e36ab64ebe792e34014f8625afca779555798d24/Ahmed_Haseeb_SandReckoner_Still-09.jpg" data-mid="220727210" border="0" src="https://freight.cargo.site/w/1000/i/dfcca34f783fe26303592a41e36ab64ebe792e34014f8625afca779555798d24/Ahmed_Haseeb_SandReckoner_Still-09.jpg" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/6f6a9eeecb5704e2129ed63421d14c3ec388de31be89a6cc3c75f77a9be66bae/Ahmed_Haseeb_SandReckoner_Still-10.jpg" data-mid="220727219" border="0" src="https://freight.cargo.site/w/1000/i/6f6a9eeecb5704e2129ed63421d14c3ec388de31be89a6cc3c75f77a9be66bae/Ahmed_Haseeb_SandReckoner_Still-10.jpg" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/719a923288f0606831ab1989f278c26d623a1ed873e3707a8cfe4b367e32a8d5/Ahmed_Haseeb_SandReckoner_Still-11.jpg" data-mid="220727220" border="0" src="https://freight.cargo.site/w/1000/i/719a923288f0606831ab1989f278c26d623a1ed873e3707a8cfe4b367e32a8d5/Ahmed_Haseeb_SandReckoner_Still-11.jpg" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/ed670c7fa9d4df0051225ce78f07b6d4f337f794192d51efc5b1c9341ff8faaa/Ahmed_Haseeb_SandReckoner_Still-15.jpg" data-mid="220727221" border="0" src="https://freight.cargo.site/w/1000/i/ed670c7fa9d4df0051225ce78f07b6d4f337f794192d51efc5b1c9341ff8faaa/Ahmed_Haseeb_SandReckoner_Still-15.jpg" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/0be5f05eeea65c9c6139f45d984e6e9f3863d5c55ca799daf3e7101e9669645d/Ahmed_Haseeb_SandReckoner_Still-23.jpg" data-mid="220727231" border="0" src="https://freight.cargo.site/w/1000/i/0be5f05eeea65c9c6139f45d984e6e9f3863d5c55ca799daf3e7101e9669645d/Ahmed_Haseeb_SandReckoner_Still-23.jpg" /> Credits: Directed by Haseeb Ahmed Produced by Ariane Koek Written by Haseeb Ahmed Edited by Haseeb Ahmed and Daniel van Hauten Cinematography by Haseeb Ahmed and Daniel van Hauten Color Correction by Haseeb Ahmed Music by Heavy Color- Ben Cohen and Sam Woldenberg Sound Direction by Haseeb Ahmed Mastering by Heavy Color and Audiobus Voice-overs Rebecca Polloni, Italian Translation to Italian by Lieze Joye Mostafa Adel Abdelhamid of Audiobus, Arabic Translation to Egyptian Arabic by Farah Abed Bedouin Love Song performed by Ramadan Elswahly and Muhammad Gaddafi Xenogogue Performers Haseeb Ahmed, Ahmed Alzmly, Vittoria Caneva, Anna Kushnirenko, Red Dragonfly, and Blue Dragonfly Fully Funded by Fondation Didier et Martine Primat Created during the Earth Water Sky Residency at Ca Foscari, University of Venice and the Science Gallery International Network Curated by Ariane Koek Scientific Partner Professor Craig Martin, Ca Foscari University of Venice Location Scouting and Arrangement by Haseeb Ahmed and Ariane Koek Cinematographic Contributions by Johan Poezevara and Fabien Silvestre Suzor and Sharmin Akter and Astrid Krumins of Interspectral Contributions in Egypt by Ahmed Gamal and Professor Mohamed Abdel Mawgoud Radwan, Cairo Ramadan Elswahly and Muhammad Gaddafi, Bahariya Oasis and Western Desert&nbsp; Yacoub Nassar of the Athineos Hotel, Alexandria&nbsp; St, Marks Coptic Orthodox Cathedral grounds management, Cairo Omar Sheira and Biborka Anna Kis of Blue Cairo Contributions in Italy by Sara Celeghin, Artist and Organizer, Alberto Sonino of Vento de Venezia Alvise Benetazzo and Filippo Bergamasco of the Institute of Marine Sciences, Venice CNR-ISMAR &nbsp; Professor Emanuele Molinaroli, Professor&nbsp; Francesca Tamasari, Professor Susanne Franco, Professor Matteo Legrenzi, and Annachiara Panzeri and Young Voices Program of Ca Foscari University, Venice, Maria Ansaldi Pania and Carlo Calore of Orto Botanico, Padua Roberto Casarotto and Greta Pieropan of Centro per la Scena Contemporanea di Bassano del Grappa and Operaestate Festival, St. Marco Basilica Walks After Hours Tours Laura Marcomin of Fondazione Venezia manager of Palazzo Contrani del Bovolo, Erica Villa, Curator and Producer A Very Special Thank You to Harlan Levey Projects,&nbsp;Professor Petra Van der Jeught, Leen Scholiers, Sajjad and Tahira Ahmed, Jan Huygh of Atelier Vilvoorde, Kettie Sambu and Naila van Hauten, Werktank VZW Shot on location in Italy Venice Streets of Venice, Saint Marks Basilica and Square, Galleria dell’Accademia di Venizia, Ponte dell'Accademia, Palazzo Contarini del Bovolo, Certosa Island, and Altana of Susanne Franc Padua Orto Botanico Rome Saint Peter’s Basilica and Square, Vatican Museum, Ponte Vittorio Emanuele II, Pantheon, Lateran Obelisk, Macuteo Obelisk, Minerveo Oblelisk, Agonalis Obelisk. Shot on location in Egypt Alexandria Athineos Hotel, Little Venice, Corniche Harbor, Citadel of Qaitbay, Alexandria Aquarium, Sidi Morsi Abu al-Abbas Mosque, City Festival Cairo Tahrir Square, Saint Mark’s Cathedral, Mosque of Ibn Tulun, Streets of Cairo, Mosque and Madrasa of Sultan Hassan, Great Pyramids of Giza, National Museum of Egypt, and Saqqara Necropolis Deserts Karanis Ruins and Fayyum Oasis, Wadi al Haitan Valley of the Whales, Black Desert, White Desert National Park, Western Desert, and the Egyptian Sahara Shot on location in Belgium Atelier Vilvoorde, De Kruitfabriek, Vilvoorde, Kadoc, Leuven, Le Sceptre, Brussels Works Cited Archimedes, Sand Reckoner, 300 BCE Aristotle, Meteorologica, 340 BCE Allah, Quran, Surah Al-Baqarah, The Cow, 2:164, 622 Chris Cutrone, Lenin’s Libralism, 2011 Erich Classen, Djara: Cave Art in Egypt’s Western Desert, 2009 God, Old Testament, Genesis 1:2, 1400 BCE Hoda S. H. Aly "Evaluation of pollen grains germination, viability, and chemical composition of some date palm males" 2018 Nico Israel, Spirals, 2015 Prosper Alpini, Book of Egyptian of Plants, 1592 Ralph A. Bagnold, The Physics of Blown Sand and Desert Dunes, 1942 Rohl, Chorography: History, Theory and Potential for Archaeological Research, 2012 Johann Wolfgang von Goethe, Metamorphosis of Plants, 1790 Nico Israel, Spirals, 2015 Prosper Alpini, Book of Egyptian of Plants, 1592 Ralph A. Bagnold, The Physics of Blown Sand and Desert Dunes, 1942 Rohl, Chorography: History, Theory and Potential for Archaeological Research, 2012 https://haseebahmed.com/Stock-Weather-III Wed, 23 Oct 2024 19:23:48 +0000 www.haseebahmed.com https://haseebahmed.com/Stock-Weather-III Stock Weather III commissioned by the 15th Gwangju Biennial, South Korea artistic director Nicolas Bourriaud and curator Barbara LagieSeptember 5- December 1, 2024 Materials: wood, stock data, electronics, 3D prints, sand, pigment, canvas, steel cable, and hardware“The winds and global finance both shape our daily lives but are invisible. I wanted to give them a form— that of this desert.Stock prices control fans in wind tunnels which blow the sand. Cameras in the sand offer a perspective as though we are looking at the horizon.The desert landscape evolves as the markets change and time goes on.It’s a sunset scene, the end of the day and perhaps the end of history.The question is— what kind of world is Capitalism producing for us?”Video by Yeji Kim, edited by the artistImage credit: Haseeb Ahmed <img width="6230" height="4153" width_o="6230" height_o="4153" data-src="https://freight.cargo.site/t/original/i/e3da5abad79b09984ee1fcf34c7e3c207932242085d0a11475b51c49b5390875/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-50.jpg" data-mid="220215731" border="0" src="https://freight.cargo.site/w/1000/i/e3da5abad79b09984ee1fcf34c7e3c207932242085d0a11475b51c49b5390875/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-50.jpg" /> <img width="6919" height="4613" width_o="6919" height_o="4613" data-src="https://freight.cargo.site/t/original/i/a61b1065457f3d63f2da688de94a890f8a5b7cb62328f392c522c0efcaeb9f5e/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-8.jpg" data-mid="220215905" border="0" src="https://freight.cargo.site/w/1000/i/a61b1065457f3d63f2da688de94a890f8a5b7cb62328f392c522c0efcaeb9f5e/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-8.jpg" /> <img width="5940" height="3960" width_o="5940" height_o="3960" data-src="https://freight.cargo.site/t/original/i/2ebaa263185e6b6b1c20db52bec8f21332c4fa3e3dd231f2271bc4e7e21f953f/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-1.jpg" data-mid="220215917" border="0" src="https://freight.cargo.site/w/1000/i/2ebaa263185e6b6b1c20db52bec8f21332c4fa3e3dd231f2271bc4e7e21f953f/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-1.jpg" /> <img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/ea83609f583dd53c407f87184efb0ca456a6768a4384bfc72c6aea95fc5c8b16/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-21.jpg" data-mid="220215920" border="0" src="https://freight.cargo.site/w/1000/i/ea83609f583dd53c407f87184efb0ca456a6768a4384bfc72c6aea95fc5c8b16/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-21.jpg" /> <img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/a473197d47dc00cc46f53d300004270ac05bf65cc69f04406af85a737dac93ac/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-5.jpg" data-mid="220215937" border="0" src="https://freight.cargo.site/w/1000/i/a473197d47dc00cc46f53d300004270ac05bf65cc69f04406af85a737dac93ac/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-5.jpg" /> <img width="6852" height="4568" width_o="6852" height_o="4568" data-src="https://freight.cargo.site/t/original/i/1c02ac93a266b702dbda5f99a2eb1590781d4d1514277379fd1792ca48dc1104/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-43.jpg" data-mid="220215933" border="0" src="https://freight.cargo.site/w/1000/i/1c02ac93a266b702dbda5f99a2eb1590781d4d1514277379fd1792ca48dc1104/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-43.jpg" /> <img width="2087" height="1391" width_o="2087" height_o="1391" data-src="https://freight.cargo.site/t/original/i/a2bc27696c7f9931619d6d325a923f0e909b5f0a86ef896b46d7bd11f4f5dd81/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-6.jpg" data-mid="220215942" border="0" src="https://freight.cargo.site/w/1000/i/a2bc27696c7f9931619d6d325a923f0e909b5f0a86ef896b46d7bd11f4f5dd81/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-6.jpg" /><img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/947ae3f2a3c2edff81a26bb93e3904f4d91194f0e967f0588d3794e85df1cfca/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-49.jpg" data-mid="220215971" border="0" src="https://freight.cargo.site/w/1000/i/947ae3f2a3c2edff81a26bb93e3904f4d91194f0e967f0588d3794e85df1cfca/BB_Ahmed_Haseeb_Stock_Weather_III_Gwangju_Biennial_2024-49.jpg" />